TINTING 
and  MIXING 
CHART 


for  Pure  White , Clear  Colors 
Flat  Pints  and  Shades 


THE  CHARLES  OSGOOD  CO. 

Drugs  and  Paints 

45  and  47  Commerce  St.,  Norwich,  Conn. 


Time  with 

AGLE 

Soft  Paste 

WHITE  LEAD 


Interior  Color  Suggestions 

All  formulae  shown  in  this  chart  are  based  on  the  amount  of 
standard  high  grade  color  needed  to  each  100  pounds  of  Eagle  White 
I.ead  in  Oil.  Before  tinting  be  sure  to  read  instructions  on  page  5. 
For  quantities  of  liquids  needed  see  pages  7-10. 


IVORY 
liyi  oz.  Raw  Sienna 

1 LIGHT  BUFF 

6 yi  lbs.  French  Yellow  Ochre 
12 yi  oz.  Deep  Chrome  Yellow 


DEEP  DRAB 
4 lbs.— 1 1 oz.  Raw  Sienna 
2 APRICOT 

iiyi  oz.  Medium  Chrome  Yellow 
6 yi  lbs.  Deep  Chrome  Yellow 

SHELL  PINK 
25  oz.  Orange  Chrome  Yellow 
^ TERRA  COTTA 

27A  lbs.  American  Vermilion 
3 \bs.-i4yi  oz.  Deep  Chrome 
Yellow 

25  oz.  Raw  Umber 

PEWTER  GRAY 

41  yi  oz.  Lamp  Black 
6 yi  oz.  Raw  Umber 

MEDIUM  GRAY 
6yi  oz.  Lamp  Black 


CREAM 

25  oz.  Raw  Sienna 
H NEUTRAL  BROWN 

' 4 lbs. -11  oz.  Raw  Sienna 

21lA  oz.  Vandyke  Brown 
12 yi  oz.  Venetian  Red 

ORCHID 

_ 6 A oz.  American  Vermilion 

5 ROSE  TAUPE 

25  oz.  Vandyke  Brown 
iz'/i  oz.  Venetian  Red 


LILAC 

izyi  oz.  Rose  Lake 

9 LAVENDER 

25  oz.  Tuscan  Red 
6yi  oz.  Prussian  Blue 


PRIMROSE 

25  oz.  Chrome  Yellow  (No.  I, 
Light  or  Lemon) 

AZURE  BLUE 
6 A oz.  Prussian  Blue 


LIGHT  GRAY 
2%  oz.  of  Lamp  Black 

5 PEA  GREEN 

37 oZ.  Light  Chrome  Green 
18J4  oz.  Raw  Sienna 


11 


OLD  ROSE 
25  oz.  Burnt  Sienna 
12 yi  oz.  Tuscan  Red 

CORNFLOWER  BLUE 
37 yi  oz.  Prussian  Blue 
25  oz.  Tuscan  Red 


6 


LIGHT  SAGE  GREEN 
21 A oz.  light  Chrome  Green 
SAGE  GREEN 

4 lbs.— 1 1 oz.  Light  Chrome  Green 
25  oz.  Raw  Sienna 
25  oz.  Raw  Umber 


12 


SILVER  GRAY 
12 yi  oz.  Vandyke  Brown 

DELFT  BLUE 
3 lbs.-i4 yi  oz.  Prussian  Blue 
25  oz.  Lamp  Black 


[ 1 ] 


Eagle  White  Lead  Interior  Color  Suggestions 


1 

2 

3 

4 

5 

Ivory 

Deep  Drab 

Shell  Pink 

Pewter  Gray 

Light  Gray 

with 

with 

with 

with 

with 

Light  Buff 

Apricot 

Terra  Cotta 

Medium  Gray 

Pea  Green 

7 

8 

9 

10 

11 

Cream 

Orchid 

Lilac 

Primrose 

Old  Rose 

with 

with 

with  • 

with 

with 

eutral  Brown 

Rose  Taupe 

Lavender 

Azure  Blue 

Cornflower  B1 

See  inside  back  cover  for  exterior  color  suggestions 


6 

Light  Sage  Green 
with 

Sage  Green 


12 

Silver  Gray 
with 

Delft  Blue 


Interior  Color  Suggestions 

All  formulae  shown  in  this  chart  are  based  on  the  amount  of 
standard  high  grade  color  needed  to  each  ioo  pounds  of  Eagle  White 
Lead  in  Oil.  Before  tinting  be  sure  to  read  instructions  on  page  5. 
For  quantities  of  liquids  needed  see  pages  7-10. 


IVORY 

CREAM 

1 2j4  oz.  Raw  Sienna 

25  oz.  Raw  Sienna 

1 LIGHT  BUFF 

6yi  lbs.  French  Yellow  Ochre 
I2.J4  oz.  Deep  Chrome  Yellow 

H NEUTRAL  BROWN 

* 4 lbs.— 1 1 oz.  Raw  Sienna 

37 J4  oz.  Vandyke  Brown 

I2j4  oz.  Venetian  Red 

DEEP  DRAB 

4 lbs.— 1 1 oz.  Raw  Sienna 

2 APRICOT 

I2J4  oz.  Medium  Chrome  Yellow 
lbs.  Deep  Chrome  Yellow 

ORCHID 

_ 6J4  oz.  American  Vermilion 

5 ROSE  TAUPE 

25  oz.  Vandyke  Brown 

I2j4  oz.  Venetian  Red 

SHELL  PINK 

25  oz.  Orange  Chrome  Yellow 
^ TERRA  COTTA 

J 2%  lbs.  American  Vermilion 

3 Ibs.-I4.j4  oz.  Deep  Chrome 
Yellow 

25  oz.  Raw  Umber 

LILAC 

I2J4  oz.  Rose  Lake 

9 LAVENDER 

25  oz.  Tuscan  Red 

6 oz.  Prussian  Blue 

PEWTER  GRAY 

1 J4  oz.  Lamp  Black 

A.  6yi  oz.  Raw  Umber 

MEDIUM  GRAY 

6%  oz.  Lamp  Black 

PRIMROSE 

_ 25  oz.  Chrome  Yellow  (No.  1, 
III  Light  or  Lemon) 

AZURE  BLUE 

6)4  oz.  Prussian  Blue 

LIGHT  GRAY 

3 J4  oz.  of  Lamp  Black 

5 pea  GREEN 

37 J4  02.  Light  Chrome  Green 
i8J4  oz.  Raw  Sienna 

OLD  ROSE 

25  oz.  Burnt  Sienna 

I "1  12)4  oz.  Tuscan  Red 

J-  A CORNFLOWER  BLUE 

37 J4  oz.  Prussian  Blue 

25  oz.  Tuscan  Red 

LIGHT  SAGE  GREEN 

37 yi  oz.  light  Chrome  Green 
/C  SAGE  GREEN 

4 lbs.-l  1 oz.  Light  Chrome  Green 
25  oz.  Raw  Sienna 

25  oz.  Raw  Umber 

SILVER  GRAY 

I2J4  oz.  Vandyke  Brown 

A ^ DELFT  BLUE 

3 Ibs.-I4.j4  oz.  Prussian  Blue 

25  oz.  Lamp  Black 

Estimating  the  Quantity 
of  Paint  Needed 


To  find  the  number  of 
square  feet  to  be  painted, 
measure  (in  feet)  the  total 
distance  around  the  house  and 
multiply  by  the  height  of  the 
corner  boards.  This  will  give 
you  the  number  of  square  feet 
in  the  body.  Do  not  take  off 
anything  for  doors  or  windows 
for  this  will  generally  be  offset 
by  the  edges  of  the  weather- 
boarding and  by  doors  and 
window  frames. 

To  find  the  area  of  the 
gables  multiply  the  width  of 
the  base  in  feet  by  one-half  of 
the  height.  Be  sure  to  allow  for 
the  eaves,  cornices,  etc.,  and 
for  porch  floors,  steps,  and 
ceilings.  The  same  general  rule 
will  apply  to  interior  surfaces. 

On  a fair,  old  surface  a gal- 
lon of  lead  paint  will  spread 
over  approximately  600  square 
feet,  one  coat.  This  will  give 
you  a basis  upon  which  to  do 


your  estimating.  To  find  the 
number  of  gallons  of  paint  re- 
quired, divide  the  total  number 
of  square  feet  to  be  painted  by 
550,  600  or  650,  according  to 
the  condition  of  the  surface. 
The  result  will  give  you  the 
number  of  gallons  of  paint  you 
should  need  for  one  coat. 

If  the  wood  is  porous  it  will 
require  more  paint  than  if  it 
is  hard  and  smooth.  A gallon 
of  paint  will  cover  more  sur- 
face on  smooth  wood  than  on 
rough  wood,  brick  or  concrete. 
A great  deal  depends  upon 
how  much  you  brush  out  the 
paint. 

Refer  to  the  paint  formulae 
shown  on  pages  7-10  of  this 
chart  for  the  type  of  work  you 
are  painting,  to  find  out  how 
much  Eagle  White  Lead,  lin- 
seed oil,  drier  or  turpentine  you 
will  need  to  produce  the  neces- 
sary quantity  of  paint. 


[2] 


Preparing  the  Surface 


A Dry  Surface  Necessary 

Any  surface  to  be  painted 
should  be  thoroughly  dry.  If 
it  is  wet  when  painted  the 
moisture  in  the  lumber  will  be 
drawn  out  by  the  sun  and 
cause  the  paint  to  blister.  If 
there  is  dew  or  frost  on  the 
surface  it  will  spoil  the  job. 
Green,  unseasoned  lumber  con- 
tains moisture  and  will  cause 
paint  to  blister. 

Remove  Loose  Cracked 
Paint 

On  a repaint  job  all  the  loose 
paint  should  be  removed.  This 
is  commonly  done  by  going 
over  the  surface  with  a broad 
scraping  knife  and  then  sand- 
papering down  the  rough 
edges.  Be  sure  to  get  off  all  the 
paint  which  is  not  firmly  ad- 
hered to  the  surface  and  sand- 


paper any  rough  spots.  Dust 
and  dirt,  if  not  removed,  will 
mix  with  the  paint  and  dis- 
color it,  therefore,  go  over  the 
entire  surface  with  a painter’s 
duster  brush,  being  especially 
careful  of  the  tops  of  the  win- 
dow and  door  frames.  Grease, 
wax  or  oil  spots  should  be  re- 
moved; paint  will  not  adhere 
to  such  places. 

When  old  paint  has  cracked 
and  scaled  generally  over  the 
surface, you  may  safelyexpect  it 
to  continue  to  come  off,  regard- 
less of  what  paint  you  put  on 
top  of  it.  If  this  is  the  case,  all 
the  paint  should  be  burned  or 
scraped  off  down  to  the  bare 
wood  so  that  the  new  paint  can 
anchor  itself  in  the  pores  of  the 
wood.  All  paint  wears  out 
sometime.  It  may  wear  off  or 
chalk  gradually,  leaving  the 


[3] 


surface  in  perfect  condition  for 
repainting.  If  the  paint  is  hard 
and  brittle,  it  will  crack  and 
scale  off,  necessitating  ad- 
ditional expense  for  burning 
and  scraping.  Pure  Eagle 
White  Lead  in  Oil  instead  of 
cracking  and  scaling,  will  leave 
a perfect  surface  for  repaint- 
ing. This  is  one  of  the  many 
reasons  why  it  is  best  to  apply 
Eagle  Pure  White  Lead  over 
surfaces  which  have  been  thor- 
oughly cleaned. 

Porous  Spots 
Where  old  paint  is  badly 
worn  there  will  probably  be 
found  some  porous  spots  that 
will  absorb  oil  freely.  You  will 
have  no  trouble  in  recognizing 


these  spots  by  their  dead  flat 
appearance  when  the  first  coat 
of  paint  is  dry.  Give  them  an 
extra  coat  of  oil  or  another 
coat  of  paint  a day  or  two  be- 
fore you  apply  the  second  coat 
to  seal  up  the  pores. 

Sappy  Spots 

Any  sappy  streaks  or  knots 
should  be  coated  with  orange 
shellac  to  prevent  the  sap  com- 
ing through  the  paint.  This 
should  be  done  before  the  first 
coat  is  applied.  Knots  and  sap 
streaks  in  hard  pine  which  are 
excessively  loaded  with  pitch 
ought  to  be  burned  over  with  a 
gasoline  blow  torch  to  draw 
out  some  of  the  pitch  before 
shellacking. 


Eagle  White  Lead  in  Oil  is  ideal  for  Tiffany , mot- 
tling, stippling  and  other  glaze  finishes  in  vogue.  For 
the  best  results  in  this  work  it  is  essential  that  white 
lead  be  used  for  priming  and  stippled  ground  coats. 


[4] 


Tinting  Eagle  White  Lead 


One  of  the  many  advantages 
of  Eagle  White  Lead  is  that  it 
may  be  tinted  any  color.  No 
need  to  accept  some  standard 
tint  or  shade  used  by  others. 
Use  high  grade  colors  ground 
in  oil  for  tinting  as  they  pro- 
duce clear,  sharp  tints  and 
shades.  Cheap  tinting  colors 
make  muddy  hues  and  a great- 
er quantity  is  needed  to  pro- 
duce a given  color. 

Mix,  in  a separate  container, 
tinting  colors  with  turpentine 
or  oil  until  brought  to  the  con- 
sistency of  the  paint,  then 
strain  the  color  and  add  it  to 
the  lead  slowly  before  the  paint 
is  strained.  Better  too  little 
color  than  too  much,  because 
later  the  final  straining  of  the 
white  lead  paint  breaks  up  the 
color  and  intensifies  the  tint 
or  shade  of  the  paint. 

The  formulae  given  in  this 
pamphlet  will  not  always  re- 
sult in  the  exact  tone  shown  by 
the  color  chips,  as  tinting  col- 


ors differ  greatly  in  strength. 
It  is  suggested  that  in  tinting 
Eagle  White  Lead  the  color  be 
added  gradually  and  that  the 
mixer  satisfy  himself  as  to 
when  the  desired  shade  is 
reached.  All  formulae  shown  in 
this  chart  are  based  on  the 
amount  of  standard  high  grade 
tinting  color  needed  to  each  ioo 
pounds  of  Eagle  White  Lead  in 
Oil  used,  except  where  otherwise 
specified. 

To  test  for  color  match,  it  is 
well  to  brush  the  paint  out  on 
a board.  Paint  always  looks 
darker  in  the  pot  than  it  does 
when  spread  out  on  the  sur- 
face. Always  mix  enough  paint 
for  at  least  one  coat  for  entire 
surface  in  one  batch,  or  accu- 
rately weigh  materials  and  re- 
cord the  quantities  so  you  can 
duplicate  the  color.  Unless  you 
are  accustomed  to  matching 
colors  you  should  follow  the 
first  suggestion. 


[5] 


For  the  Greater  Convenience  of 
the  Master  Painter 


Eagle  Soft  Paste  is  a soft, 
creamy  white  lead,  “broken 
up”  at  our  plants  to  shop-lead 
consistency. 

Easy  to  me 
Because  Eagle  Soft 
Paste  contains  twice 
as  much  linseed  oil 
as  our  regular  grind- 
ing, it  may  be  sent 
out  on  the  job  in  the 
original  cans  — un- 
opened— ready  to  be 
thinned  quickly  and  easily 
for  painting. 

Any  kind  of  work 

Like  our  regular  grinding, 
Eagle  Soft  Paste  is  suitable 
for  all  types  of  painting  . . . 
all  kinds  of  finishes.  When 
Eagle  Soft  Paste  is  thinned 
with  turpentine  only,  a flat 
finish  is  produced  which  has 
just  the  faintest  suggestion  of 
a gloss.  For  dead-flat  effects, 
the  oil  may  be  readily 


“drawn”  and  the  lead  thinned 
to  painting  consistency. 

Still  Old  Dutch  Process 
Both  Eagle  Soft  Paste  and 
our  regular  grinding 
are  products  of  the 
famous  Old  Dutch 
Process  of  corrosion. 
It  is  a long,  slow 
method,  taking  90 
days;  but  until  an- 
other process  is  dis- 
covered which  pro- 
duces a higher  quality  white 
lead,  Eagle  will  be  pure  Old 
Dutch  Process. 

Packed  in  convenient  sizes 
Eagle  Soft  Paste  White  Lead 
is  packed  in  100  lb.,  50  lb., 
25  lb.,  and  12^  lb.  steel  kegs. 
These  packages  may  be  eas- 
ily identified  on  the  dealer’s 
shelf  by  the  attractive  Eagle 
trade-mark  in  the  center  of 
the  label. 


[6] 


Paint  Formulae  — Soft  Paste 


The  formulae  shown  below  are 
given  to  produce  a pure  white 
lead  paint.  The  same  formulae 
may  be  used  in  mixing  colored 
paints  by  using  them  in  con- 
junction with  the  color  formu- 
lae shown  on  pages  i and  12. 

OLD  OUTSIDE  WORK 

First  Coat 

100  pounds  Eagle  Soft  Paste 
White  Lead 

3 quarts  Raw  Linseed  Oil 
1 Y\  gallons  Turpentine 

1 pint  of  best  Japan  Drier 

Makes  about  6 gals,  of  white 
paint 

Second  Coat 

100  pounds  Eagle  Soft  Paste 
White  Lead 

2 Yi  gallons  Raw  Linseed  Oil 
1 pint  Turpentine 

1 pint  of  best  Japan  Drier 

Makes  about  6M  gals,  of  white 
paint 

ji  NEW  OUTSIDE  WORK 

N Priming  Coat 

100  pounds  Eagle  Soft  Paste 
White  Lead 


2?4  gallons  Raw  Linseed  Oil 
1 Yi  gallons  Turpentine 
1 pint  best  Japan  Drier 

Makes  about  7^  gallons.  For 
very  light-colored  woods  K 
gallon  more  of  oil  may  be  added. 

Second  Coat 

100  pounds  Eagle  Soft  Paste 
White  Lead 

1 quart  Raw  Linseed  Oil 
1 } 2 gallons  Turpentine 

1 pint  best  Japan  Drier 

Makes  about  5%  gallons.  For 
very  light-colored  woods 
gallon  more  of  oil  may  be  added 

Third  Coat 

100  pounds  Eagle  Soft  Paste 
White  Lead 

2 Yi  gallons  Raw  Linseed  Oil 
1 pint  Turpentine 

1 pint  best  Japan  Drier 

Makes  about  6J4  gallons.  For 
very  light-colored  woods  1 pint 
more  of  oil  may  be  added. 


[7] 


OLD  INSIDE  WORK 

First  Coat 

100  pounds  Eagle  Soft  Paste 
White  Lead 
i ]/2  gallons  Turpentine 
i pint  best  Japan  Drier 

Makes  about  5ps  gals,  of  white 
paint 

Second  Coat — Egg  Shell 

ioo  pounds  Eagle  Soft  Paste 
White  Lead 
i gallons  Turpentine 
y gal.  pale  or  white  Enamel 
Varnish 

y2  pint  best  Japan  Drier 

Makes  about  5 y2  gals,  of  white 
paint 

Second  Coat — Flat 

too  pounds  Eagle  Soft  Paste 
White  Lead 
iH  gallons  Turpentine 
1 pint  pale  or  white  Enamel 
Varnish 
y2  pint  Drier 

Makes  about  5 Jfs  gals,  of  white 
paint 

NE\V  INSIDE  WORK 

Priming  Coal 

100  pounds  Eagle  Soft  Paste 
White  Lead 


1 y gallons  Raw  Linseed  Oil 

2 x/2  gallons  Turpentine 

1 pint  best  Japan  Drier 

Makes  about  7%  gals,  of  white 
paint 

Second  Coat 

100  pounds  Eagle  Soft  Paste 
White  Lead 
1 y gallons  Turpentine 
1 pint  best  Japan  Drier 

Makes  about  5%  gals,  of  white 
paint 

Third  Coat — Egg  Shell  or  Semi- 
Flat 

100  pounds  Eagle  Soft  Paste 
White  Lead 
1 y2  gallons  Turpentine 
y2  gal.  pale  or  white  Enamel 
V arnish 
y2  pint  Drier 

Makes  about  5H  gals,  of  white 
paint 

Third  Coat — Flat 

100  pounds  Eagle  Soft  Paste 
White  Lead 
1 y2  gallons  Turpentine 
1 pint  pale  or  white  Enamel 
Varnish 
y2  pint  Drier 

Makes  about  gals.  of  white 
paint 


[8] 


Paint  Formulae— Regular  Grinding 


The  formulae  shown  below 
are  given  to  produce  a pure 
white  lead  paint.  The  same 
formulae  may  be  used  in  mix- 
ing colored  paints  by  using 
them  in  conjunction  with  the 
color  formulae  shown  on  pages 
i and  i2. 


OLD  OUTSIDE  WORK 
First  Coat 

ioo  pounds  Eagle  White  Lead 
1V2-2  gallons  Pure  Raw  Linseed 
Oil 

2F2-2  gallons  Pure  Turpentine 
i-x  x/i  pints  best  Japan  Drier 

6 K gallons  of  paint 
Second  Coat 

100  pounds  Eagle  White  Lead 
3H-4  gallons  Pure  Raw  Linseed 
Oil 

pint  Pure  Turpentine 
1 pint  best  Japan  Drier 

6K~7  gallons  of  paint 


NEW  OUTSIDE  WORK 
Priming  Coat 

100  pounds  Eagle  White  Lead 
4-5  gallons  Pure  Raw  Linseed 
Oil 

iX~i  gallons  Pure  Turpentine 
1J  2 pints  best  Japan  Drier 

8P2-9  gallons  of  paint 


Second  Coat 

100  pounds  Eagle  White  Lead 
if£  gallons  Pure  Raw  Linseed 
Oil 

1P2  gallons  Pure  Turpentine 
1 pint  best  Japan  Drier 

6%  gallons  of  paint 

Third  Coat 

100  pounds  Eagle  White  Lead 
3^2-4  gallons  Pure  Raw  Linseed 
Oil 

pint  Pure  Turpentine 
1 pint  best  Japan  Drier 

6K~7  gallons  of  paint 


[9] 


NEW  WOODWORK 
INSIDE 

Priming  Coat 

ioo  pounds  Eagle  White  Lead 
3 gallons  Pure  Raw  Linseed 
Oil 

i gallon  Pure  Turpentine 
1L2  pints  best  Japan  Drier 

7 gallons  of  paint 
Second  Coat 

ioo  pounds  Eagle  White  Lead 
i gallons  Pure  Raw  Linseed 
Oil 

i}4  gallons  Pure  Turpentine 
i pint  best  Japan  Drier 

SVs  gallons  paint 

Third  Coat— Oil  Gloss 

ioo  pounds  Eagle  White  Lead 
S~sH  gallons  Pure  Raw  Linseed 
Oil 

i pint  Pure  Turpentine 
i pint  best  Japan  Drier 

6-6J4  gallons  of  paint 

Third  Coat — Flat 

ioo  pounds  Eagle  White  Lead 
3 _ 3/4  gallons  flatting  oil  or 
turpentine 


OLD  WORK  INSIDE- 
WHITE  PAINT 

First  Coat 

ioo  pounds  Eagle  White  Lead 
i gallon  Pure  Raw  Linseed 
Oil 

2-3  gallons  Pure  Turpentine 
1 pint  best  Japan  Drier 

524-6^4  gallons  of  paint 


Secotid  Coat — Oil  Gloss 

100  pounds  Eagle  White  Lead 
3-3/4  gallons  Pure  Raw  Linseed 
Oil 

1 pint  Pure  Turpentine 
1 pint  best  Japan  Drier 

6-6  gallons  of  paint 


Second  Coat — Flat 

100  pounds  Eagle  White  Lead 
3 ~ 3/4  gallons  flatting  oil  or 
turpentine 


5^4-6  X gallons  of  paint 


gallons  of  paint 

[10] 


Painting  With  Eagle  Rust 
Preventive  Pigments 


In  painting  metal  surfaces, 
it  is  very  important  that  the 
surface  be  dry  and  free  from 
rust,  dirt  or  grease.  When 
painting  over  old  surfaces  that 
have  been  painted  before  with 
a true  rust  inhibitive  paint,  if 
the  old  paint  adheres  firmly  to 
the  metal  it  may  be  regarded 
as  good  as  sound  metal  upon 
which  to  apply  new  paint.  If 
the  old  paint  does  not  adhere 
well,  it  should  be  completely 
removed  by  scraping,  wire 
brushing,  burning  with  a torch, 
or  sand  papering.  Each  suc- 
cessive coat  of  paint  can  be  no 
better  than  the  weakest  coat 
beneath  it. 

Eagle  Rust  Preventive 
Pigments  should  be  broken  up 
in  the  same  manner  as  White 
Lead  and  mixed  by  the  follow- 
ing formulae: 


FORMULAE 
Sublimed  Blue  Lead 

ioo  pounds  Sublimed  Blue 
Lead  in  Oil 

4 gallons  Raw  Linseed  Oil 
2 pints  Turpentine 
2 pints  best  Japan  Drier 

hnportant — As  stated,  not 
more  than  4 gallons  of  oil 
should  be  used  with  100  lbs. 
of  Sublimed  Blue  Lead. 

Eagle  Red  Lead 

100  pounds  Red  Lead  in  Oil 
2L2  gallons  Raw  Linseed  Oil 
1L2  pints  Turpentine 
\]/2  pints  Drier 

On  metal  surfaces  that  may 
become  hot,  such  as  furnace 
pipes  and  radiators,  use  Fish 
Oil  instead  of  Linseed. 

Apply  with  a round  brush. 


[11] 


Exterior  Color  Suggestions 

All  formulae  shown  in  this  chart  are  based  on  the  amount  of 
standard  high  grade  color  needed  to  each  ioo  pounds  of  Eagle  White 
Lead  in  Oil.  Before  tinting  be  sure  to  read  instructions  on  page  5. 
For  quantities  of  liquids  needed  see  pages  7-10. 


DARK  SAGE  GREEN 

6 lbs. -4  oz.  Chrome  Green, 
1 Medium 

A 1 lb.— g oz.  Burnt  Sienna 

OLD  IVORY 

12)4  oz.  Raw  Sienna 

GUN  METAL  GRAY 

9 lbs.-6  oz.  Yellow  Ochre 
/C  3 lbs.-2  oz.  Lamp  Black 

U 3 lbs.-2  oz.  Raw  Umber 

STONE  GRAY 

1 lb. — 9 oz.  Raw  Umber 

LIGHT  OLIVE  GREEN 

1 lb. — 9 oz.  Raw  Sienna 

2 lbs.-6  oz.  Chrome  Green, 
Medium 

9 lbs.-6  oz.  Yellow  Ochre 

LIGHT  CREAM 

1 lb.— 9 oz.  Raw  Sienna 

SHUTTER  GREEN 

60  lbs.  Chrome  Green 
— \ yi  oz.  Lamp  Black 

/ 3 oz.  Burnt  Umber 

DARK  GRAY 

1 lb.— 9 oz.  Raw  Umber 

12^4  oz.  Lamp  Black 

DARK  TAN 

28  lbs.-2  oz.  Raw  Sienna 

6 lbs.~4  oz.  Burnt  Umber 

A 

LIGHT  BROWN 

12  lbs.— 8 oz.  Yellow  Ochre 

4 lbs.-l  1 oz.  Raw  Umber 

Q 7 lbs.— 1 3 oz.  Venetian  Red 

J COLONIAL  YELLOW 

I lb. -4  oz.  Medium  Chrome 
Yellow 

2)4  oz.  Venetian  Red 

O 12  lbs.-8  oz.  Burnt  Umber 
LIGHT  BLUE 
\2]4  oz.  Lamp  Black 

6yi  oz.  Prussian  Blue 

SHUTTER  BLUE 

2 lbs.— 5 oz.  Prussian  Blue 
^ 1 lb.— 9 oz.  Raw  Umber 

CHOCOLATE  BROWN 

31  lbs.~4  oz.  Burnt  Umber 
„ 1 lb.~9  oz.  Venetian  Red 

W 3 lbs.-2  oz.  Yellow  Ochre 

PURE  WHITE 

No  Tinting  Color 

LIGHT  TAN 

1 lb.— 9 oz.  Burnt  Umber 

1 lb.~9  oz.  Raw  Sienna 

WARM  DRAB 
^ 6 yi  oz.  Burnt  Umber 

^ 6yi  oz.  Medium  Chrome  Yellow 

ITALIAN  VILLA  PINK 

4 lbs.— 1 1 oz.  Burnt  Sienna 
"1  /A  1 lb.— 9 oz.  Yellow  Ochre 
-L  L'  DEEP  BUFF 

ASH  GRAY 

I2}4  oz.  Vandyke  Brown 

4 lbs.— 1 1 oz.  Raw  Sienna 

3 lbs.-2  oz.  Dark  Chrome  Yellow 

[12] 


Taint  White 

or  light  colors 


^ FT  Employ  a good  painter  — 
Good  painters  use  EA  GLE  j| 


Exterior  Color  Suggestions 

All  formulae  shown  in  this  chart  are  based  on  the  amount  of 
standard  high  grade  color  needed  to  each  ioo  pounds  of  Eagle  White 
Lead  in  Oil.  Before  tinting  be  sure  to  read  instructions  on  page  5. 
For  quantities  of  liquids  needed  see  pages  7-10. 


DARK  SAGE  GREEN 

6 lbs. -4  oz.  Chrome  Green, 
1 Medium 

J.  1 lb.— g oz.  Burnt  Sienna 

OLD  IVORY 

12 J4  oz.  Raw  Sienna 

GUN  METAL  GRAY 

9 lbs.-6  oz.  Yellow  Ochre 
/ 3 lbs.-2  oz.  Lamp  Black 

U 3 lbs.-2  oz.  Raw  Umber 

STONE  GRAY 

1 lb. — 9 oz.  Raw  Umber 

LIGHT  OLIVE  GREEN 

1 lb.— 9 oz.  Raw  Sienna 

2 lbs.-6  oz.  Chrome  Green, 
Medium 

9 lbs.-6  oz.  Yellow  Ochre 

LIGHT  CREAM 

1 lb.— 9 oz.  Raw  Sienna 

SHUTTER  GREEN 

60  lbs.  Chrome  Green 
_ i^oz.  Lamp  Black 
/ 3 oz.  Burnt  Umber 

DARK  GRAY 

1 lb.— 9 oz.  Raw  Umber 

12)4  oz.  Lamp  Black 

DARK  TAN 

28  lbs.-2  oz.  Raw  Sienna 

6 lbs.-4  oz.  Burnt  Umber 

? 

LIGHT  BROWN 

12  lbs.— 8 oz.  Yellow  Ochre 

4 lbs.— 1 1 oz.  Raw  Umber 

Q 7 lbs.— 1 3 oz.  Venetian  Red 

O COLONIAL  YELLOW 

1 lb. -4  oz.  Medium  Chrome 
Yellow 

2)4  oz.  Venetian  Red 

O 12  lbs. -8  oz.  Burnt  Umber 
LIGHT  BLUE 

I2J4  oz.  Lamp  Black 

6)4  oz.  Prussian  Blue 

SHUTTER  BLUE 

2 lbs.— 5 oz.  Prussian  Blue 
^ 1 lb.— 9 oz.  Raw  Umber 

CHOCOLATE  BROWN 

31  lbs.~4  oz.  Burnt  Umber 

1 lb.— 9 oz.  Venetian  Red 
y 3 lbs.-2  oz.  Yellow  Ochre 

PURE  WHITE 

No  Tinting  Color 

LIGHT  TAN 

1 lb. -9  oz.  Burnt  Umber 

1 lb.~9  oz.  Raw  Sienna 

WARM  DRAB 
^ 6)4  oz.  Burnt  Umber 

^ 6)4  oz.  Medium  Chrome  Yellow 

ITALIAN  VILLA  PINK 

4 lbs.— 1 1 oz.  Burnt  Sienna 

1 A 1 lb. -9  oz.  Yellow  Ochre 

A U DEEP  BUFF 

ASH  GRAY 

12  )4  oz.  Vandyke  Brown 

4 lbs.— 1 1 oz.  Raw  Sienna 

3 lbs.-2  oz.  Dark  Chrome  Yellow 

[12] 


Eagle  White  Lead  Exterior  Color  Suggestions 


1 

2 

3 

4 

5 

Dark  Sage  Green 

Light  Olive  Green 

Dark  Tan 

Shutter  Blue 

Warm  Drab 

with 

with 

with 

with 

with 

Old  Ivory 

Light  Cream 

Colonial  Yellow 

Pure  White 

Ash  Gray 

6 

7 

8 

9 

10 

Gun  Metal  Gray 

Shutter  Green 

Light  Brown 

Chocolate  Brown 

Italian  Villa  Pink 

with 

with 

with 

with 

with 

Stone  Gray 

Dark  Gray 

Light  Blue 

Light  Tan 

Deep  Buff 

See  inside  front  cover  for  interior  color  suggestions 


EAGLE 
Rust  Preventive 
Pigments 


Pure  Sublimed 
Blue  Lead 


80  per  cent  Sublimed 
Blue  Lead  and  20  per 
cent  Chrome  Yellow 


75  per  cent  Sublimed 
Blue  Lead  and 
25  per  cent  Red  Lead 


99  per  cent  Pure  Red 
Lead  and  1 per  cent 
Carbon  Black 


Pure  Red  Lead 


The  EAGLE-PICHER  LEAD  COMPANY 
1 34  North  La  Salle  Street  • Chicago 

Producers  of  lead  and  allied  products 
Sales  Offices 

CINCINNATI  CLEVELAND  PITTSBURGH  PHILADELPHIA  NEW  YORK  MINNEAPOLIS 
BOSTON  BUFFALO  DETROIT  BALTIMORE  NEW  ORLEANS  KANSAS  CITY  ST.  LOUIS  JOPLIN 

i Manufacturing  Wants 

CINCINNATI  NEWARK  OALENA,  KAN.  HENRYETTA,  OKLA.  P1CHBR,  OKLA.  CHICAGO 
EAST  ST.  LOUIS,  ILL.  ARGO,  ILL.  JOPLIN,  MO.  HILLSBORO,  ILL.  ONTARIO,  OKLA. 


CLASSICS 


AVERY 


